The John Clare Page: Poems
Online Editions of Clare's Poetry:
John Clare's Poems: The Lifetime Published Poetry, ed. Simon Sanada, 2009 (Online edition of all four of Clare's collections of poetry published in his lifetime)
Poems: Chiefly from Manuscript, ed. Edmund Blunden and Alan Porter (London: Richard Cobden-Sanderson, 1920).
Other Clare Poems Online:
To Elia (Pen name of Charles Lamb, 1775-1834)
Below is a small selection of poems selected from Poems by John Clare, ed. Arthur Symons (London: Henry Frowe, 1908), The Rural Muse; Poems by John Clare, (London: Whittaker & co., 1835) and William Hone's Every-Day Book.SUMMER MORNING
cocks have now the morn foretold,
The sun again begins to peep,
The shepherd, whistling to his fold,
Unpens and frees the captive sheep.
O’er pathless plains at early hours
The sleepy rustic sloomy goes;
The dews, brushed off from grass and flowers,
Bemoistening sop his hardened shoes
every leaf that forms a shade,
And every floweret’s silken top,
And every shivering bent and blade,
Stoops, bowing with a diamond drop.
But soon shall fly those diamond drops,
The red round sun advances higher,
And, stretching o’er the mountain tops,
Is gilding sweet the village-spire.
sweet to meet the morning breeze,
Or list the gurgling of the brook;
Or, stretched beneath the shade of trees,
Peruse and pause on Nature’s book,
When Nature every sweet prepares
To entertain our wished delay,—
The images which morning wears,
The wakening charms of early day!
let me tread the meadow paths
While glittering dew the ground illumes,
As, sprinkled o’er the withering swaths,
Their moisture shrinks in sweet perfumes;
And hear the beetle sound his horn;
And hear the skylark whistling nigh,
Sprung from his bed of tufted corn,
A haling minstrel from the sky.
From Hone, William, The Every-Day Book and Table Book, 3 vols. (London: Thomas Tegg, 1831), Volume I, July 16th, p. 962.
THE NIGHTINGALES NEST.
Up this green woodland-ride lets softly
And list the nightingale - she dwells just here.
Hush ! let the wood-gate softly clap, for fear
The noise might drive her from her home of love ;
For here Ive heard her many a merry year -
At morn, at eve, nay, all the live-long day,
As though she lived on song. This very spot,
Just where that old-mans-beard all wildly trails
Rude arbours oer the road, and stops the way -
And where that child its blue-bell flowers hath got,
Laughing and creeping through the mossy rails -
There have I hunted like a very boy,
Creeping on hands and knees through matted thorn
To find her nest, and see her feed her young.
And vainly did I many hours employ :
All seemed as hidden as a thought unborn.
And where those crimping fern-leaves ramp among
The hazels under boughs, Ive nestled down,
And watched her while she sung ; and her renown
Hath made me marvel that so famed a bird
Should have no better dress than russet brown.
Her wings would tremble in her ecstasy,
And feathers stand on end, as twere with joy,
And mouth wide open to release her heart
Of its out-sobbing songs. The happiest part
Of summers fame she shared, for so to me
Did happy fancies shapen her employ ;
But if I touched a bush, or scarcely stirred,
All in a moment stopt. I watched in vain :
The timid bird had left the hazel bush,
And at a distance hid to sing again.
Lost in a wilderness of listening leaves,
Rich Ecstasy would pour its luscious strain,
Till envy spurred the emulating thrush
To start less wild and scarce inferior songs ;
For while of half the year Care him bereaves,
To damp the ardour of his speckled breast ;
The nightingale to summers life belongs,
And naked trees, and winters nipping wrongs,
Are strangers to her music and her rest.
Her joys are evergreen, her world is wide -
Hark! there she is as usual - lets be hush -
For in this black-thorn clump, if rightly guest,
Her curious house is hidden. Part aside
These hazel branches in a gentle way,
And stoop right cautious neath the rustling boughs,
For we will have another search to day,
And hunt this fern-strewn thorn-clump round and round ;
And where this reeded wood-grass idly bows,
Well wade right through, it is a likely nook :
In such like spots, and often on the ground,
Theyll build, where rude boys never think to look -
Aye, as I live ! her secret nest is here,
Upon this white-thorn stump ! Ive searched about
For hours in vain. There! put that bramble by -
Nay, trample on its branches and get near.
How subtle is the bird ! she started out,
And raised a plaintive note of danger nigh,
Ere we were past the brambles ; and now, near
Her nest, she sudden stops - as choking fear,
That might betray her home. So even now
Well leave it as we found it : safetys guard
Of pathless solitudes shall keep it still.
See there! shes sitting on the old oak bough,
Mute in her fears ; our presence doth retard
Her joys, and doubt turns every rapture chill.
Sing on, sweet bird! may no worse hap befall
Thy visions, than the fear that now deceives.
We will not plunder music of its dower,
Nor turn this spot of happiness to thrall ;
For melody seems hid in every flower,
That blossoms near thy home. These harebells all
Seem bowing with the beautiful in song ;
And gaping cuckoo-flower, with spotted leaves,
Seems blushing of the singing it has heard.
How curious is the nest ; no other bird
Uses such loose materials, or weaves
Its dwelling in such spots : dead oaken leaves
Are placed without, and velvet moss within,
And little scraps of grass, and, scant and spare,
What scarcely seem materials, down and hair ;
For from mens haunts she nothing seems to win.
Yet Nature is the builder, and contrives
Homes for her childrens comfort, even here ;
Where Solitudes disciples spend their lives
Unseen, save when a wanderer passes near
That loves such pleasant places. Deep adown,
The nest is made a hermits mossy cell.
Snug lie her curious eggs in number five,
Of deadened green, or rather olive brown ;
And the old prickly thorn-bush guards them well.
So here well leave them, still unknown to wrong,
As the old woodlands legacy of song.
From The Rural Muse; Poems by John Clare, (London: Whittaker & co., 1835) p. 30.
WHERE SHE TOLD HER LOVE
I saw her crop a rose
Right early in the day,
And I went to kiss the place
Where she broke the rose away
And I saw the patten rings
Where she o'er the stile had gone,
And I love all other things
Her bright eyes look upon.
If she looks upon the hedge or up the leafing tree,
The whitethorn or the brown oak are made dearer things to me.
I have a pleasant hill
Which I sit upon for hours,
Where she cropt some sprigs of thyme
And other little flowers;
And she muttered as she did it
As does beauty in a dream,
And I loved her when she hid it
On her breast, so like to cream,
Near the brown mole on her neck that to me a diamond shone;
Then my eye was like to fire, and my heart was like to stone.
There is a small green place
Where cowslips early curled,
Which on Sabbath day I traced,
The dearest in the world.
A little oak spreads o'er it,
And throws a shadow round,
A green sward close before it,
The greenest ever found:
There is not a woodland nigh nor is there a green grove,
Yet stood the fair maid nigh me and told me all her love.
The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky - blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.
The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,
And scarcely startles, tho' the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho' pelted by the passing swain;
Thus day seems turn'd to night, and tries to wake in vain.
The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.
Yet but awhile the slumbering weather flings
Its murky prison round - then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song - cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o'er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.
At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o'er them in the sky.-
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.
The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o'er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.
The boy, that scareth from the spiry wheat
The melancholy crow - in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart 'twas summer-time again.
Thus wears the month along, in checker'd moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o'er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms -
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of Industry delight.
At length the stir of rural labour's still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds - then Toil hath time for play,
And nought but threshers' flails awake the dreary day.
How sweet to be thus nestling deep in boughs,
Upon an ashen stoven pillowing me;
Faintly are heard the ploughmen at their ploughs,
But not an eye can find its way to see.
The sunbeams scarce molest me with a smile,
So thick the leafy armies gather round;
And where they do, the breeze blows cool the while,
Their leafy shadows dancing on the ground.
Full many a flower, too, wishing to be seen,
Perks up its head the hiding grass between.-
In mid-wood silence, thus, how sweet to be;
Where all the noises, that on peace intrude,
Come from the chittering cricket, bird, and bee,
Whose songs have charms to sweeten solitude.
LOVE LIVES BEYOND THE TOMB
Love lives beyond the tomb,
And earth, which fades like dew!
I love the fond,
The faithful, and the true.
Love lives in sleep:
'Tis happiness of healthy dreams:
Eve's dews may weep,
But love delightful seems.
'Tis seen in flowers,
And in the morning's pearly dew;
In earth's green hours,
And in the heaven's eternal blue.
'Tis heard in Spring
When light and sunbeams, warm and kind,
On angel's wing
Bring love and music to the mind.
And where's the voice,
So young, so beautiful, and sweet
As Nature's choice,
Where Spring and lovers meet?
Love lives beyond the tomb,
And earth, which fades like dew!
I love the fond,
The faithful, and the true.
The frog half fearful jumps across the path,
And little mouse that leaves its hole at eve
Nimbles with timid dread beneath the swath;
My rustling steps awhile their joys deceive,
Till past, and then the cricket sings more strong,
And grasshoppers in merry moods still wear
The short night weary with their fretting song.
Up from behind the molehill jumps the hare,
Cheat of his chosen bed, and from the bank
The yellowhammer flutters in short fears
From off its nest hid in the grasses rank,
And drops again when no more noise it hears.
Thus nature's human link and endless thrall,
Proud man, still seems the enemy of all.
These tiny loiterers on the barley's beard,
And happy units of a numerous herd
Of playfellows, the laughing Summer brings,
Mocking the sunshine on their glittering wings,
How merrily they creep, and run, and fly!
No kin they bear to labour's drudgery,
Smoothing the velvet of the pale hedge-rose;
And where they fly for dinner no one knows -
The dew-drops feed them not - they love the shine
Of noon, whose suns may bring them golden wine
All day they're playing in their Sunday dress -
When night reposes, for they can do no less;
Then, to the heath-bell's purple hood they fly,
And like to princes in their slumbers lie,
Secure from rain, and dropping dews, and all,
In silken beds and roomy painted hall.
So merrily they spend their summer-day,
Now in the corn-fields, now in the new-mown hay.
One almost fancies that such happy things,
With coloured hoods and richly burnished wings,
Are fairy folk, in splendid masquerade
Disguised, as if of mortal folk afraid,
Keeping their joyous pranks a mystery still,
Lest glaring day should do their secrets ill.
THE INSTINCT OF HOPE
Is there another world for this frail dust
To warm with life and be itself again?
Something about me daily speaks there must,
And why should instinct nourish hopes in vain?
'Tis nature's prophesy that such will be,
And everything seems struggling to explain
The close sealed volume of its mystery.
Time wandering onward keeps its usual pace
As seeming anxious of eternity,
To meet that calm and find a resting place.
E'en the small violet feels a future power
And waits each year renewing blooms to bring,
And surely man is no inferior flower
To die unworthy of a second spring?
'Tis evening; the black snail has got on his
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.
The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for love's name.
The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,
And meet joy in these dew-falling hours.
For Nature is love, and finds haunts for true love,
Where nothing can hear or intrude;
It hides from the eagle and joins with the dove,
In beautiful green solitude.
Poems selected from Poems by John Clare, ed. Arthur Symons (London: Henry Frowe, 1908) and from The Rural Muse; Poems by John Clare, (London: Whittaker & co., 1835).
11 December 2006